Images

In the Realm of Wonder

Mythology, art or science, all dwell in the realm of wonder…

The Birth of the Milky Way, by Peter Paul Rubens

The Birth of the Milky Way, by Peter Paul Rubens

The term Galaxy is an ancient Greek one.  It comes from the word milk, since the cluster of celestial material is such that colours the night sky with a white stripe, like a milk splash. What a beautiful image that is…. This image inspired so many more images, wordy, musical or visual, ever since…. This is what I love about wonder and curiosity! It gets imagination going to explore both the magic and the reality out there. It helps our growth with the nutritious elements of knowledge and beauty…

Similar to a previous post , where I was talking about the inspirational drive that mythology has put into the arts, here is another great  sample of human creativity par excellence, namely ‘The Birth of the Milky Way“, (ca. 1637), by Peter Paul Rubens. This work of art now belongs to and can be seen at the Prado Museum, Madrid.

But even the etymology of the terms ‘Galaxy’ and ‘Milky Way’ are poetic. Here is what Wikipedia says on the terms’ provenance:

The word galaxy derives from the Greek term for our own galaxy, galaxias (γαλαξίας, “milky one”), or kyklos (“circle”) galaktikos (“milky”)for its appearance as a lighter colored band in the sky. In Greek mythology, Zeus places his son born by a mortal woman, the infant Heracles, on Hera’s breast while she is asleep so that the baby will drink her divine milk and will thus become immortal. Hera wakes up while breastfeeding and then realizes she is nursing an unknown baby: she pushes the baby away and a jet of her milk sprays the night sky, producing the faint band of light known as the Milky Way.

In the astronomical literature, the capitalized word ‘Galaxy’ is used to refer to our galaxy, the Milky Way, to distinguish it from the billions of other galaxies. The English term Milky Way can be traced back to a story by Chaucer:

“See yonder, lo, the Galaxyë
Which men clepeth the Milky Wey,
For hit is whyt.”
—Geoffrey Chaucer. The House of Fame, c. 1380.

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Some Poetry, Some Art, Some Borges

Maria sleeping

The Art of Poetry

To gaze at a river made of time and water
and remember that Time is another river.
To know we stray like a river
and our faces vanish like water.

To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.

To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.

To see in death a dream, in the sunset
a golden sadness, such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.

Sometimes at evening there’s a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.

They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.

Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.

Jorge Luis Borges

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Francis Bacon: The Optimist

“Great art is always a way of concentrating, reinventing what is called fact, what we know of our existence – a reconcentration… tearing away the veils that fact acquires through time.”

Francis Bacon

Francis Bacon was born like today, 28th October, in 1909 and died in 1992. He is probably the only ‘shock’ artist I like. Here is a link to an 1985 documentary about him, his work and his views. I think in this just short of an hour film you can see the man, who claims to be “an optimist for nothing” and to have no thoughts on the meaning of his individual works.

http://www.ubu.com/film/bacon.html

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Leda and the Swan

The story of ‘Leda and the Swan’ is a Greek myth which is told in many variations.

According to one of them, Leda – a mortal queen, wife of the king of Sparta Tyndareus – was in the forest when Zeus spotted her and wanted to make love to her (or rape her). He transformed himself into a swan and landed next to her. They started playing and he seduced her. On the same night she also lay with her husband.

As a result, Leda ‘hatched’ two eggs, from one egg she bore the twins Castor and Pollux (Polydeuces), the fomer being the son of Tyndareus and mortal, and the other being the son of Zeus and therefore immortal. They are known as the Gemini (‘Twins’), the famous constellation, star sign. Through their love for each other, they both eventually became the immortal-mortals.
From the other egg she bore Clytemnestra, famous for becoming the wife of king Agamemnon, and Helen of Troy. No more is needed to say about the importance of these two women in the narrative of the dawn of the western civilization.

All these mythological- archetypical figures and life circumstances have fuelled the human imagination in the millenia and given such great material for the arts…. Here, I think, are two beautiful examples of this:


‘Leda with the Swan’ by Bartolomeo Ammaneti
Museo Nazionale del Bargello, Florence

20120914-220409.jpg

Leda and the Swan
by William Butler Yeats

A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

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The Rock is out of its temple

In an earlier post back in April, titled ‘Talking about Art and Devotion’, I was talking about a photograph I was working on, the Rock. At the time of that post I wasn’t happy with my test print. It took me a couple more months of working on it, leaving it aside, looking back at it, making test prints, using different printing methods, etc, to get it to where I felt I liked it. So here it is:

This image was taken using my iphone 4S (!) on a early spring afternoon at the Paros Park in Paros. I processed it in CS5 and my final print was made on a Sommerset Velvet Fine Art A4 paper in Piezo, using a carbon selenium split toning.

I have to say that if you compare the two variations of the same image on a computer screen, I mean the one I have uploaded on the April post and this one here, you might not see much of a difference. The adjustments I made are subtle so the illuminated highly contrasty computer screen might not reveal them, but there is a huge difference in the tonal values between these two versions and, therefore, in the overall feeling of the image on the print(s). I wish I could show you that too.

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Sunset at Parikia, Paros in June

It’s been quite a while since I posted something… well summer is here, a busy and beautiful season… Let me share its beauty with you…

 

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stormy sunset

This is a view from the San Stefanos beach off Avliotes village in north Corfu. I think it was June when I was there three years ago. At the far end you can see the island of Othoni, one of the most precious pieces of land I have ever visited. Storm has just passed the island heading our way revealing a beautiful and dramatic blue tinted sunset.

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